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Susannah York gives arguably her finest performance and I've always been one of her biggest fans and I urge everyone to view her in "The Shout". Secondly, he also shows that even in the vast landscape Cathryn feels claustrophobic and it's expertly shot with perfect composition. The cinematography is by the great Vilmos Zsigmond and he does two things splendidly and the first is capturing the beautiful and open countryside of Ireland. Several clues are scattered throughout the film such as the jigsaw puzzle, the chimes, the dog, both homes, the camera, the mirrors, and probably many more. This is a film that still has many unanswered questions when it ends and there are so many pieces of the puzzle left unexplained. Finally Cathryn decides to rid herself of these images by killing them but she isn't sure which of these people are real or not.Īltman fans frequently point to this film as his most polished piece of work and they may be right as not only is this technically superior but the actors are restricted to a very challenging script. One day Hugh brings home their close friend Marcel (Hugh Millais) and his daughter Susannah (Cathryn Harrison) and Cathryn starts to fantasize and/or hallucinate about the sexual triangle between her and the three males in her psyche. Her husband Hugh (Rene Auberjonois) takes her to their home in the countryside of Ireland but she keeps encountering her former boyfriend Rene (Marcel Bozzuffi) who died three years ago and at times Hugh catches her speaking to herself. Story is about a woman named Cathryn (Susannah York) who is having a difficult time establishing what is reality and what isn't. Many film viewers consider Robert Altman as a director that allows his actors to improvise and then shoot around the loose ends and in most cases they would probably be right but this film is easily his most disciplined effort and the actors accomplished their job by sticking to the complex script. Reviewed by rosscinema 8 / 10 Challenging and compelling film